ABOUT
Most framed insects follow the same formula: black frame, white background, set it, done.
There's nothing wrong with that... it just isn't what I wanted to create. I wanted to bring something different to the table.
Very Still Creatures was born from the idea that these incredible animals can be treated like works of art, elevated by gorgeous frames and complimentary mats. Every piece is made with intention. Positioned, preserved, and displayed in a hand-selected vintage or custom frame with individually cut matting and thoughtfully chosen materials. I spend far more time on the presentation than is necessary - and I'm totally cool with that.
Every specimen is different. The frame, the colors, the textures, and the composition are chosen to complement the creature itself, not a cookie cutter design. The goal isn't simply to display a beetle or a moth; it's to create something unique and absolutely stunning. Something that starts a conversation and incites wonder.
All of our insects are sourced ethically from sustainable suppliers and collectors around the world. Once they arrive, each specimen is carefully rehydrated, positioned by hand, dried, preserved, and framed. It's a slow process, but incredibly satisfying if you enjoy getting into the details of a craft.
Alongside framed insects, you'll also find preserved oddities, curiosities, limited collections, and the occasional experiment that sounded like a good idea at 11:30 at night.
If you're looking for something that makes people look at you and ask, "Wait, is that real?" You're in the right place
REHYDTRATION
PINNING
Click here for my Quick and Easy Guide to Insect Pinning
Creating these pieces is the perfect creative outlet for me. It combines so many of the things I love into one process: hunting for antique treasures, restoring old objects, working with my hands, and immersing myself in the smallest details.
Most weekends, you’ll find me wandering through thrift stores, antique shops, and flea markets in search of beautiful vintage frames. I don't buy new frames if I can help it. I love giving old ones a new life, and each one brings its own character and history to the finished piece.
Once I've found the right frame, the creative process begins.
Many of the shadow boxes and frames I find have lived long, interesting lives, and time hasn't always been kind to them. Before they ever hold a specimen, many are completely disassembled, repaired, glued, re-nailed, refinished, and sometimes fitted with newly cut glass. Restoring these old frames is almost as rewarding as creating the artwork itself.
Then, each creature is carefully rehydrated before being pinned by hand. During this stage, I spend a great deal of time chasing perfect symmetry and refining the pose until it feels right. It's a slow, meticulous process that satisfies the detail-oriented side of my brain, and I genuinely enjoy the challenge of getting every leg, antenna, and wing just right.
The backgrounds are just as important as the specimen itself. I source vintage mat boards from old framed photographs, carefully measuring and cutting them so I can use patterns and textures that complement both the insect and the overall aesthetic. My inspiration is always classic, vintage design, with influences from Mid-Century Modern, Art Deco, and Victorian styles.
Every piece takes time. There are no shortcuts, and I wouldn't want there to be. From searching for the perfect frame to restoring it, posing the specimen, and selecting the finishing details, each artwork is built with patience, intention, and a genuine love for the craft. I can't think of a better way to spend my time creating.
MY PROCESS
